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A Space of Anxiety : Dislocation and Abjection in Modern German-Jewish Literature / Anne Fuchs.

By: Material type: TextLanguage: English Series: Amsterdamer Publikationen zur Sprache und Literatur ; 138. | Literature and Cultural Studies - Book Archive pre-2000Publisher: Leiden ; Boston : Brill, 1999Copyright date: ©1999Description: 1 online resource (208 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9789004657632
Other title:
  • Dislocation and Abjection in Modern German-Jewish Literature
Subject(s): Additional physical formats: Print version:: A Space of Anxiety : Dislocation and Abjection in Modern German-Jewish Literature.DDC classification:
  • 830.9109 23
LOC classification:
  • PT169
Online resources:
Contents:
Front Matter -- Preliminary Material / Anne Fuchs -- Acknowledgements / Anne Fuchs -- Introduction / Anne Fuchs -- Freud’s Jewishness: Opposing the “Compact Majority” / Anne Fuchs -- The Longing to Belong: Dislocation and Abjection in Kafka’s Der Verschollene / Anne Fuchs -- Roth’s Ambivalence: The Logic of Separation in His Writings on Eastern Jewry / Anne Fuchs -- Files against the Self: The Case of Albert Drach / Anne Fuchs -- Bad Boys and Evil Witches: Gender and Abjection in Edgar Hilsenrath’s Der Nazi & der Friseur / Anne Fuchs -- Back Matter -- Summary: A Space of Anxiety / Anne Fuchs -- Bibliography / Anne Fuchs -- Index / Anne Fuchs.
Summary: A Space of Anxiety engages with a body of German-Jewish literature that, from the beginning of the century onwards, explores notions of identity and kinship in the context of migration, exile and persecution. The study offers an engaging analysis of how Freud, Kafka, Roth, Drach and Hilsenrath employ, to varying degrees, the travel paradigm to question those borders and boundaries that define the space between the self and the other. A Space of Anxiety argues that from Freud to Hilsenrath, German-Jewish literature emerges from an ambivalent space of enunciation which challenges the great narrative of an historical identity authenticated by an originary past. Inspired by postcolonial and psychoanalytic theories, the author shows that modern German-Jewish writers inhabit a Third Space which poses an alternative to an understanding of culture as a homogeneous tradition based on (national) unity. By endeavouring to explore this third space in examples of modern German-Jewish literature, the volume also aims to contribute to recent efforts to rewriting literary history. In retracing the inherent ambivalence in how German-Jewish literature situates itself in cultural discourse, this study focuses on how this literature subverts received notions of identity and racial boundaries. The study is of interest to students of German literature, German-Jewish literature and Cultural Studies. See Less
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Includes bibliographical references and index.

Front Matter -- Preliminary Material / Anne Fuchs -- Acknowledgements / Anne Fuchs -- Introduction / Anne Fuchs -- Freud’s Jewishness: Opposing the “Compact Majority” / Anne Fuchs -- The Longing to Belong: Dislocation and Abjection in Kafka’s Der Verschollene / Anne Fuchs -- Roth’s Ambivalence: The Logic of Separation in His Writings on Eastern Jewry / Anne Fuchs -- Files against the Self: The Case of Albert Drach / Anne Fuchs -- Bad Boys and Evil Witches: Gender and Abjection in Edgar Hilsenrath’s Der Nazi & der Friseur / Anne Fuchs -- Back Matter -- Summary: A Space of Anxiety / Anne Fuchs -- Bibliography / Anne Fuchs -- Index / Anne Fuchs.

A Space of Anxiety engages with a body of German-Jewish literature that, from the beginning of the century onwards, explores notions of identity and kinship in the context of migration, exile and persecution. The study offers an engaging analysis of how Freud, Kafka, Roth, Drach and Hilsenrath employ, to varying degrees, the travel paradigm to question those borders and boundaries that define the space between the self and the other. A Space of Anxiety argues that from Freud to Hilsenrath, German-Jewish literature emerges from an ambivalent space of enunciation which challenges the great narrative of an historical identity authenticated by an originary past. Inspired by postcolonial and psychoanalytic theories, the author shows that modern German-Jewish writers inhabit a Third Space which poses an alternative to an understanding of culture as a homogeneous tradition based on (national) unity. By endeavouring to explore this third space in examples of modern German-Jewish literature, the volume also aims to contribute to recent efforts to rewriting literary history. In retracing the inherent ambivalence in how German-Jewish literature situates itself in cultural discourse, this study focuses on how this literature subverts received notions of identity and racial boundaries. The study is of interest to students of German literature, German-Jewish literature and Cultural Studies. See Less

English

Description based on print version record.

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