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Commodus : An Emperor at the Crossroads / O. Hekster.

By: Material type: TextSeries: Dutch Monographs on Ancient History and Archaeology ; 23. | Brill Book Archive Part 1, ISBN: 9789004472495Publisher: Leiden; Boston : BRILL, 2002Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9789004502321
  • 9789050632386
Other title:
  • An Emperor at the Crossroads
Subject(s): Additional physical formats: Print version:: Commodus : An Emperor at the Crossroads.DDC classification:
  • 937/.06/092 23
LOC classification:
  • DG299
Online resources: Summary: The emperor Commodus (AD 180-192) has commonly been portrayed as an insane madman, whose reign marked the beginning of the end of the Roman Empire. Indeed, the main point of criticism on his father, Marcus Aurelius, is that he appointed his son as his successor. Especially Commodus' behaviour as a gladiator, and the way he represented himself with divine attributes (especially those of Hercules), are often used as evidence for the emperor's presumed madness. However, this 'political biography' will apply modern interpretations of the spectacles in the arena, and of the imperial cult, to Commodus' reign. It will focus on the dissemination and reception of imperial images, and suggest that there was a method in Commodus' madness.
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Includes bibliographical references and index.

The emperor Commodus (AD 180-192) has commonly been portrayed as an insane madman, whose reign marked the beginning of the end of the Roman Empire. Indeed, the main point of criticism on his father, Marcus Aurelius, is that he appointed his son as his successor. Especially Commodus' behaviour as a gladiator, and the way he represented himself with divine attributes (especially those of Hercules), are often used as evidence for the emperor's presumed madness. However, this 'political biography' will apply modern interpretations of the spectacles in the arena, and of the imperial cult, to Commodus' reign. It will focus on the dissemination and reception of imperial images, and suggest that there was a method in Commodus' madness.

Description based on print version record.

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