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The performing arts in medieval Islam : shadow play and popular poetry in Ibn Daniyal's Mamluk Cairo / Li Guo.

By: Material type: TextSeries: Islamic History and Civilization ; 93. | Middle East and Islamic Studies E-Books Online, Collection 2012, ISBN: 9789004223295Publisher: Leiden ; Boston : Brill.Copyright date: c2012Description: 1 online resource (xiii, 240 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9789004218802
Contained works:
  • Ibn Dānīyāl, Muḥammad, 1249 or 50-1310 or 11. Ṭayf al-khayāl fī maʻrifat khayāl al-ẓill. English
Subject(s): Additional physical formats: Print version:: The Performing Arts in Medieval Islam: Shadow Play and Popular Poetry in Ibn Daniyal's Mamluk CairoDDC classification:
  • 791.5/309621609022 23
LOC classification:
  • PJ7760.I185 Z86 2012
Online resources:
Contents:
Summary: This is a study of the life and work of Ibn Dāniyāl (d. 1310), a Cairo-based eye doctor, poet, playwright, court jester, and arguably one of the most controversial cultural figures of his time. Drawing on medieval Arabic sources, many still in manuscript and some used for the first time, the author further contextualizes Ibn Dāniyāl’s work with respect to poetry production and popular culture in the Islamic Near East in the post-Mongol period. The book also presents the first full English translation of “The Phantom,” one of Ibn Dāniyāl’s three shadow plays, the only surviving pre-Ottoman Arabic theatrical texts.
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Includes bibliographical references (p. [229]-233) and index.

Preliminary Material -- Act 1: Eye Doctor and Street Buffoon -- Act 2: Court Panegyrist and Jester -- Act 3: Satirist and Shadow Playwright -- The Making of the Arabic Shadow Play -- The Ornament of the Poetry -- The Many Faces of a Performer -- The Phantom: A Shadow Play -- Appendix 1: Manuscripts -- Appendix 2: Sources -- Bibliography -- Index.

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This is a study of the life and work of Ibn Dāniyāl (d. 1310), a Cairo-based eye doctor, poet, playwright, court jester, and arguably one of the most controversial cultural figures of his time. Drawing on medieval Arabic sources, many still in manuscript and some used for the first time, the author further contextualizes Ibn Dāniyāl’s work with respect to poetry production and popular culture in the Islamic Near East in the post-Mongol period. The book also presents the first full English translation of “The Phantom,” one of Ibn Dāniyāl’s three shadow plays, the only surviving pre-Ottoman Arabic theatrical texts.

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